East Dorset Potters

Path and Inspiration

My work draws influence from prehistoric Middle Eastern and European ceramics and African art, particularly Mesopotamian ceramics. This region, home to one of the earliest "Old World" civilizations along the Euphrates River, produced animal-shaped vessels and zoomorphic forms. The art of this time is marked by a rough austerity and a delicate humour, seen in its whimsical creatures.

By engaging with these ancient cultures' heritage, rituals, and spirituality, I aim to reconnect us to our spiritual past, fostering a sense of wellbeing and reverence. 

Process and Practice

My work takes the form of zoomorphic and figurative sculptures. Intrinsic aspects are low fire clay, terracotta or raku and strong form. My work is mainly hand built, constructing pieces by pinch, coil and slab methods.

Decoration is applied in simple patterns using slips, oxides and minimal glazing. The finish is enhanced by incising, inlaying and scratching. Most works are fired to 1060 degrees Celcius in a raku or primitive sawdust kiln.